ACCA, MBA, Tax Agent ជាអ្នកនិពន្ធហើយអាចប្រលងជាប់៖ ACCA រហូត ៤ មុខវិជ្ជាក្នុងពេលតែម្តង, Tax Agent ពិន្ទុខ្ពស់, MBA & BBA ជាប់ជាសិស្សពូកែ និងមានបទពិសោធការងារជាង ១៥ ឆ្នាំ ព្រមទាំងអ្នកនិពន្ធផ្សេងៗ ?ទិញឯកសារហើយ អានមិនយល់អាចសួរបាន
Faience : type of tin-glazed earthenware, often used for architectural purposes. Also: archeological term for a type of ancient pottery in Egypt, comprising wares of glazed powdered quartz.
Ethnographic art : art inspired by a particular racial culture, especially of the primitive type.
Etching : process in which the design is drawn on a metal plate through a wax ground; the design is cut into the plate with acid, and printed. Also: a print produced by this method.
Engraving : the technique of incising lines on wood, metal etc. Also: the impression made from the engraved block.
Enamelling : the process of fusing a vitreous substance (usually lead/potash glass) to metal at high temperature (about 800 degrees Cent) – as used in decorative metalwork and goldsmithing; see Cloisonne and Champleve.
Emboss : to mould, stamp, or carve a surface to produce a design in relief.
Encaustic Painting : ancient technique of painting with wax and pigments fused by heat.
Easel painting (or picture) : small or medium-sized painting executed at an easel. These were usually intended for collectors and conoisseurs, although the term may also be used generally for any portable painting, as opposed to mural painting.
Drypoint : Copper engraving technique.
Earthenware : pottery made from red or white clay, fired in a kiln at less than 1200 degrees Cent.
Easel : An upright support (typically a tripod) employed for holding an artist’s canvas while it is being painted.
Disegno : Literally, “drawing” or “design”, but which during the Renaissance acquired a broader meaning of overall concept.
Dome : Architectural feature found on top of buildingd like the Pantheon in Rome, the Cathedral in Florence (Brunelleschi), Saint Peter’s Basilica in Rome (Michelangelo and others), St Paul’s Cathedral in London (Christopher Wren) and the Pantheon in Paris, designed by Jacques-Germain Soufflot (1713-80).
Drawing : Refers to the monochrome use of pencil, charcoal, pen, ink, or similar mediums on paper, card or other support, producing linework or a linear quality rather than mass. When used of a painting, it refers more specifically to the artist’s method of representing form by these means, rather than by the use of colour and paint.
Diptych : Pair of painted or sculptured panels hinged or joined together; especially popular for devotional pictures in the Middle Ages; see altarpiece.
Design (artistic) : The plan involved in making something according to a set of aesthetics.
Direct carving : Method of stone sculpture where form is carved immediately out of the block, and not transferred from a model.
Decorative art : Collective name for art forms like ceramics, tapestries, enamelling, stained glass, metalwork, paper art, textiles, and others, which are deemed to be ornamental or decorative, rather than intellectual or spiritual. See also: French Decorative Arts (c.1640-1792).
Decoupage : Victorian craft which involves the cutting out of motifs from paper, gluing them to a surface and layering with varnish to give a completely smooth finish.
Degenerate art (“Entartete Kunst”) : Nazi propaganda term used from c.1937 for works of modern art disapproved of by the party.
Decalcomania (decalcomanie) : American term for lithography.
Dark Ages : period of the Middle Ages from c.5th century CE to 10th century, considered a phase in which philosophy and the arts were ignored or actively hindered.
Cycladic art : type of Aegean art from the Cyclades – a group of Greek islands – c.2800 BCE to 1100 BCE.
Curvilinear : Design or patternwork (eg. Etruscan/Celtic interlace) based on pattern of curved lines; sinuous.
Crafts : A category embracing most decorative arts.
Contrapposto (“opposite”, “anti-thesis”, “placed against”) : word used in sculpture, referring to the posing of human form so that head and shoulders are twisted in a different direction from hips and legs.
Content, of a painting : This traditionally refers to the message contained and communicated by the work of art, embracing its emotional, intellectual, symbolic, and narrative content.
Contemporary art : A rather loose term, used by museums to describe post-war art, and by art critics to refer to art since 1970.
Conte crayon : Proprietary manufactured chalk.
Concrete Art : Term coined in 1930 when Theo van Doesburg became editor of the magazine art Concret; it is sometimes used as a synonym for abstract art, though the emphasis is not just on geometric or abstract form, but on structure and organization in both design and execution.
Conceptualism/Conceptual Art : Form in which the concepts and ideas are more important than tangible, concrete works of art.
Computer Art : Visual images either computer-generated or computer-controlled using software or hardware tools. Also referred to as Digital art.
Composition, of a painting : Composition describes the complete work of art, and in particular the way that all its elements unite in an overall effect. Compositional elements in a painting might include: size of canvas, subject matter, focal points of the picture (if any), colour scheme, tonal warmth and contrasts, draughtsmanship, representation and meaning, among others.
Colour wheel : A diagrammatic chart showing the placement of colors in relationship to each other. For more details, see: Colour Theory in Painting.
Colour : For a general guide, see: Colour in Painting.
Colourism : Term applied to various periods of painting, e.g. 16th-century Venetian, in which colour was emphasized, rather than drawing. “colourist” is an artist who specializes in, or is famed for, his/her use of colour.
Colorito : Renaissance term for colouring – mastery of colour in painting.
Colonial Art of America : 17th/18th century portraiture, miniatures, architecture, furniture-making and crafts in America. For a comparison, see: Australian Colonial Painting (c.1780-1880).